Recent Projects: 2015 - 2023

Militant Monarch
Cut Piece 2 Sew Piece / Anthropocene 2 Symbiocene
MORE-HOPE-LESS / Masking Hope

March of the Monarch (How To Fly A Tank)
El Tanketazo de Mariposa / Skywalk

TANKS
Liar, Liar, Tanks on Fire / Tanks, A LOT / Gwangju / Children

Wish Wisely / Meow Mix

Butterfly Letters (In Others' Words)

a body of work borrowing text from others

Black Letters (Above / Below The Law)
a body of work informed by legal concepts, culture, and materials

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For selected time-based works  ► please go to Videos

Militant Monarch 2015 - 

This body of work dovetails two seemingly disparate signifiers - that of the butterfly as a universal symbol of beauty with signifiers of war (military fatigue, bicycle-powered butterfly tank), intended to produce a humorous, yet dissonant reception by audiences.

March of the Monarch (How To Fly A Tank) Vancouver, 2018
Skywalk UBC Okanagan, Kelowna, 2016
Cut Piece 2 Sew Peace CSA, Vancouver 2020
Anthropocene 2 Symbiocene CSA, Vancouver 2020
Camouflage 2023 - (upcoming work)

Tailor: Blair Shapera
Photos: Pong Yananissorn

Skywalk 2016

performance still, Knox Mountain / UBC Okanagan, Kelowna

Photo: Ashok Mathur

El Tanketazo de Mariposa

FUSE, Vancouver Art Gallery, Vancouver
November 6, 2015


El Tanketazto de Mariposa is the first public performance in the Militant Monarch Series, with the butterfly-covered, bicycle-powered tank. Poem of the artist's uncle, Moon Ik-hwan (문 익환), was recited in Korean, French, and Spanish in front of a largely Anglophone audience, intended to produce frustration and partial communication.

Project Assistance: Mariane Bourcheix-Laporte, Igor Santizo, Stefan Smulovitz
Curator: Glenn Alteen
Video: Elisha Burrows
Photo: Pong Yananissorn

March of the Monarch (How To Fly A Tank)

Participatory public performance from Science World to Granville Island, Vancouver, grunt gallery (off-site project)
August 30, 2018

Project assistance: Dan Pon, Igor Santizo, Robyn Volk
Music: Tazza Drum Troup
Curator: Glenn Alteen
Program Funding: grunt off-site program and the Granville Island Activation Grant
Video & editing: Rosalina Libertad and Jaime Torres
Photo: John Culbert

Cut Piece 2 Sew Peace 2020

CSA Space, Vancouver October 30, 2020

In response to the Covid-19 pandemic, the audience was invited to cut out fabric from the butterfly tank, thereby destroying it. The fabric pieces were then sewn into protective masks. Funds raised from the masks were donated to British Columbia's First Nations legal defence funds.

Photo: Maksim Bentsianov
Masks: Beya Design, Masks 4 Hope

Covid Community 2020

photocollage, November - December  2020

Participants / donors were invited to take selfies with their new butterfly-patterned masks. The selfies were collaged together to document a sustained virtual community in spite of, and through the physical distancing of the Covid-19 pandemic.

Special thanks to:
Surrey Art Gallery, CSA Space, Beya Design, Masks 4 Hope



Anthropocene 2 Symbiocene 2020

CSA Space, Vancouver
October 30 - December 27, 2020

Photo: courtesy of the artist

Anthropocene 2 Symbiocene 2020

CSA Space, Vancouver
October 30 - December 27, 2020

Photo: courtesy of the artist

Anthropocene (Birds of Prey) 2020

printed fabric, paper cut-out

Photos: courtesy of the artist

Symbiocene 2020

printed fabric, paper cut-out

Photos: courtesy of the artist

Wish Wisely 2020

Wish Wisely is a group of miniature sculptural and photographic works that combine biomaterials collected from two species and juxtaposing them into whimsical vignettes.

Wish Wisely (chicken wishbone, human molar)

Photo: courtesy of the artist

Wish Wisely 2020

Hold Me Gently (butterfly cocoon, human molars)
The First Teeth (after Bill Reid) (clam shell, human molars)
Sweet Tooth (bumble bee, human molar)
Clammy  Hand (clam shell, human molar)

Photo (clockwise): courtesy of the artist

Meow Mix 2020

Meow Mix is a group of miniature sculptural and photographic works that combine biomaterials collected from cats and humans and juxtaposing them into whimsical vignettes.

Cloud Puff (cat fur, human molar, mirror)

Photo: courtesy of the artist

Meow Mix 2020

Extensions (cat claws, human molar)
Shooting Star (cat whiskers, seal skin)
My Furry Valentine (photo collage)
Cloud Puff (cat fur, human molar, mirror)

Photo (clockwise): courtesy of the artist

Masking Hope 2021

(Ré)agir / (Re)act AXENÉO7, Gatineau
September 22 to October 23, 2021

Masking Hope is a 5-channel video installation and performance. They were produced in response to the Covid pandemic and ongoing  debates over how masking impacted collective rights/responsibilities, and fears/hopes.

video installations and performance:
MORE-HOPE-LESS  video projection (top left)
MASKS  video installation (top right)
BREATHE video projection (bottom right)
MASK (BREATHE) video installation (bottom middle)
OPEN-CLOSE performance (bottom left)

Curators: Anna Khimasia, Thomas Grondin
Photo & video: courtesy of the artist

Mask(Breathe) 2021

video installation, AXENÉO7, Gatineau QB

Video monitor installed at the back of the darkened, unfinished closet space within the gallery.

Photo & video: courtesy of the artist

Liar Liar Your Tanks are on Fire 2022

photocollage of the Ukrainian War

Photo: courtesy of the artist (using stock photos)

Butterfly Tanks/Children/Sky 2022

photocollages of the Ukrainian War
Liar Liar YourTanks are on Fire 2022 (top row)
Ukrainian Children 2022 (middle row)
Butterfly Skies 2022 (bottom row)

Photo: courtesy of the artist (using stock photos)

Tanks, A Lot 2022

photocollage of stock photos

Prague Spring 1968

Photo: courtesy of the artist (using stock photos)

Tanks, A Lot 2022

photocollage of stock photos

Korean War 1950 -1953 (top middle, top right)
Prague Spring 1968 (top left, middle row left)
Tiananmen 1989 (middle)
Afghanistan 2001-2021 (bottom row)

Photo: courtesy of the artist (using stock photos)

Gwangju (5.18) 2022

photocollage of the Gwangju Uprising

On May 18, 1980, in response to a military coup and imposition of martial law, the citizens of Gwangju, Korea began a massive demonstration. The military reacted by indiscriminately killing an estimated 1000 to 2000 people. In 1996, General Chun Doo-hwan was prosecuted for his role in the massacre. He was sentenced to death, but pardoned the following year.

Photo: courtesy of the artist (using stock photos)

Gwangju (5.18) 2022

photocollages of the Gwangju Uprising

Photo: courtesy of the artist (using stock photos)

In Others' Words 2021

Words that we have spoken (after Nietzsche) 
printed fabric, paper cut-out, 12 x 18

text-based works borrowing words from various authors / artists

Photos: courtesy of the artist

In Others' Words 2021

printed fabric, paper cut-out, various dimensions

con toda palabra (after Lhasa de Sela)
TOO MUCH HAPPINESS (after Alice Munro)
JOSHUA JUDGES RUTH (after Lyle Lovett)
tender (after Laiwan)
THE FIRE NEXT/THIS TIME (after James Baldwin)
Words waited inside her pen like teeth inside her gums
(after Arundhati Roy)
Words that we have spoken (after Friedrich Nietzsche)

Photos: courtesy of the artist

Guilty, Not Guilty 2021

performative works informed by legal concepts, culture, and materials

Photo: courtesy of the artist

The Triumph 2021

found book, bookshelf designed for a single book
12" x 6" x 1"

Photo: courtesy of the artist

ABOVE / UNDER / BELOW 2023

printed fabric, paper cut-out
48" x 36"

Photo: courtesy of the artist

"1764"  2023 

printed fabric, paper cut-out (12 x 16);
part of the tryptich, 1764, 1774, 1867

The Seven Years War officially ended with the Treaty of Paris (1763), with the British securing colonial control over much of Turtle Island. One year after the Royal Proclamation (1763), Treaty of Niagara (1764) was signed by 24 First Nations - in "peace, friendship and respect". It laid the foundation for a constitutional recognition and protection of First Nations rights in Canada. By 1867, the words "friendship" and "respect" were scrubbed from the final draft of the British North America Act, the precursor to the Constitution Act, 1982.

Today, over two and a half centuries later, what would Indigenous relations look like, if the founding words of Canada's Constitution were peaceful "friendship" and "respect"?

Photo: courtesy of the artist